Gatecrasher's 7th Birthday event in Sheffield, UK, October 2001.
© PYMCA / Contributor / Getty Images
Fashion

A guide to 25 years of European rave fashion

Club scenes across Europe come and go and so do their accompanying fashion trends. Here's a cut-out-and-keep guide to European rave clothing over the years.
Written by Miriam Bouteba
3 min readPublished on
Music tastes change and mutate at roughly the same rate as fashion trends come and go, and nowhere is this more evident than in the rave scene.  What you're wearing in the queue is almost as important as what you're about to listen to.
Back in the late '90s, Sheffield’s Crasher Kids – clubbers found at trance superclub Gatecrasher – were decked out in space-age neon and furry boots, and had dummies dangling from their necks. But head to Berlin's Berghain club dressed like that and Sven Marquardt and his notoriously strict doormen are unlikely to let you in. Even in post-revolution Kiev, with its weak, faltering currency, Cxema rave-goers trawl second-hand shops to make sure that their rave look is spot on. In London, the deceptively casual get-up at grime raves proves that just because you're wearing a tracksuit, it doesn't mean that you don't care. The floors might be sticky, but that doesn't mean your footwear can be anything less than pristine.
Here's a handy cut-out-and-keep guide to three decades of rave fashions across Europe.
Berlin – early '90s
Raves in early '90s Central Europe were where minimalism went to die. The UK rave scene was still in the throes of acid house, hardcore and illegal raving, with party people clad in oversized jeans, puffer jackets and Joe Bloggs T-shirts. Berlin's techno and electro scene, however, was marked by excess. Ensembles were an eclectic mix, with metallics, PVC, and overt sexiness all carried off with aplomb.
This is what Euro kids were wearing to clubs in the early '90s.

Early '90s European rave fashion

© John Smisson

Sheffield’s Crasher Kids – late '90s
Stepping into Sheffield's trance superclub Gatecrasher was an assault on the senses. And it wasn't just the music. There was nothing even vaguely tasteful about its ravers' choice of threads. Neon highlighter colours, bikinis, fluorescent plastic jewellery, dog colours, spiky hair and, of course, fluffy boots – it was the visual equivalent of dropping a couple of tabs of acid and starring in your own Cartoon Network show.
Ravers at the trance super club Gatecrasher put 110 percent effort into their clubbing clobber.

Crasher Kids in '90s Sheffield, UK

© John Smisson

Berghain – 2004 and beyond
Lady Gaga held her album launch party there, and Staatsballett Berlin have performed there, but that doesn't mean that Berlin's most revered club, Berghain, is all fancy. In fact, the style there can be characterised by an affected nonchalance; a casual, grungy, just-thrown- together look that, in reality, has been well thought out.
Since 2004, Berlin's Berghain club has become synonymous with cool, nonchalant, back-in-black style.

What Berghain ravers wear

© John Smisson

London grime – circa 2010
Authentic, down to earth and from the streets – one of the best things about grime is that there's little sartorial difference between performer and crowd. Tracksuits, baseball caps, and trainers (Nike Air Max 110s or Air Force 1s) is the uniform of choice for both. It's this rejection of excess that differentiates grime from its flashy cousin, UK garage.
Tracksuits and Nike Airs are the uniform of choice for both grime performers and fans.

London grime fashion

© John Smisson

Cxema – since 2014
If you take the earthy, punky, DIY spirit of grime and mix it with the deceptively casual Berghain aesthetic, and then place your hybrid creation in post-Soviet Kiev, what you’re left with is Slava Lepsheev’s Cxema raves. Folks arrive dressed in '90s sports jackets, vintage furs, and trainers or flat boots – a look that’s about as far away from London's flashy West End as you can imagine.
The acclaimed Kiev rave parties are populated by stylish ravers in killer second-hand gear.

What ravers at Cxema, Kiev wear

© John Smisson

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